TRTD presentation for the community exhibition at Glen Scotia Distillery April 2017

williesandysmithgusmcdon

Sandy Smith (Winding House), Willie Durance (Electrician) and Gus McDonald (Fire man) at Argyll Colliery. Photo courtesy of Willie Durance ©

A presentation/slide show was put together for The Road to Drumleman’s Community Exhibition which took place at Glen Scotia Distillery in April 2017 to commemorate the 50th anniversary of the closure of Argyll Colliery, Machrihanish. The slide show is effectively a digest of what is already here on the archive blog.

The presentation has since been updated and is now available to view online. It will also be possible to view it at Campbeltown Library and at Campbeltown Museum. I may update it from time to time but here is the current version

Please feel free to contact me if you wish to either add something to the slide show or to the archive.

Thanks,

Jan Nimmo

 

Advertisements

Remembering Argyll Colliery in Machrihanish

P1350105

Members of the public, former mine workers and Ewen and Ian from Machrihanish Holiday Park, Machrihanish on 2nd Sept 2017, 50 years after the closure of Argyll Colliery. The banner was made by 3rd year art pupils from Campbeltown Grammar School. Photo Mark Davey ©

On the 2nd of September the current phase of The Road to Drumlemen project came to a close with an event at Machrihanish. Members of the public visited the former site of Argyll Colliery, now the Machrihanish Holiday Park, to hear former mine employees explain what used to be on the site. We are very grateful to Ewen and Ian of Machrihanish Holiday Park for allowing us to visit the site. Those attending met with others afterwards in Machrihanish Village Hall for refreshments and then watched the documentary film about Argyll Colliery, The Road to Drumleman, and this was followed with an opportunity to share stories from back in the days when the coal mine was functioning. It was a lovely evening, and at times quite an emotional one.

DSC05884

Screening of the documentary, The Road to Drumleman, at Machrihanish Village Hall, 2nd September 2017. Photo: Jan Nimmo

We’d like to thank the funders, all those who hosted us, who participated in the sessions and who volunteered throughout the project. Whilst this marks the end of the current phase of the project Jan Nimmo will be continuing to update the archive blog so feel free to contact her with your stories and images.

More photos here

DSC05871

Photograph of the late Willie McKinven brought to the event by his widow, Jenny McKinven. Photo: Jan Nimmo

 

Argyll Colliery Miners’ portraits by Jan Nimmo

NeilNimmo

Portrait by Jan Nimmo of her late father, Neil Nimmo, a former Argyll Colliery worker. ©

Following on from the making of her documentary film, The Road to Drumleman, about Argyll Colliery, Machrihanish, 1947-1967, Campbeltown born artist, Jan Nimmo decided to continue working on gathering images and stories related to Kintyre’s mining past. For the TRTD community exhibition that was held at Glen Scotia Distillery, Campbeltown, she created 30 portraits. These large scale pencil drawings portray some of the men who worked at Argyll Colliery, including her father, Neil Nimmo. Two women were also portrayed: Agnes Rennie, who worked as head of catering at NCB (Scotland) in Alloa. Agnes was a regular visitor to Argyll Colliery. Agnes Stewart is also portrayed. Agnes sang her father, Willie Mitchell’s song, The Road to Drumleman, for the documentary.

As part of the exhibition, framed prints of the portraits, were given to the men and women or to their families, as some of the men, sadly, have died since the portraits were made.

More portraits and photos can be viewed here.

P1340429

Francis McWhirter with a portrait of his late brother, Dennis, who once worked at Argyll Colliery Machrihanish. Photo: Jan Nimmo ©

P1330916

Crawford Morans with his portrait at The Road to Drumleman Community exhibition at Glen Scotia Distillery, Cambeltown. Crawford worked at Argyll Colliery. Photo: Jan Nimmo ©

P1330408.JPG

Artist, Jan Nimmo, with former Argyll Colliery face-worker, Willie McIntyre, at The Road to Drumleman exhibition. Photo: Jan Nimmo ©

Fatal Accident at the Coal Pit – Charles Armour

Further to the other blog post about the death of Charles Armour – here is an other extract from the Argyllshire Herald (1875) about his death.

Fatal Accident – An accident occurred in the Trodigal Coal Pit on Tuesday to one of the miners named Charles Armour, which we are sorry to say, terminated fatally on the day following, although at first serious consequences were not apprehended. It appears that while at work in the pit on Tuesday forenoon a mass of coal became detached from the roof or side of the pit and fell upon Armour crushing him severely against one of the hutches. The injured man was promptly rescued and brought to the surface. He was afterwards taken home and Dr. Cunningham sent for, however, gradually sank under the injuries, which were found to be of a very serious nature, and expired on the Wednesday forenoon. He was married and leaves a wife and five of a family.

AG_3_clean

Extract from the Argyllshire Herald, 1875 on the death of Charles Armour, coal miner, Trodigal. Courtesy of Campbeltown Library and with thanks to Angus Martin.

Sailor’s Grave Centenary (1917-2017) – Angus Martin

DSC02943

Inneans Bay, South West Kintyre, 2009. Photograph by Paul Barham ©

Exactly 20 persons, including myself and my wife Judy, were in the Inneans Bay on Saturday 6 May for a centenary memorial ceremony at the Sailor’s Grave. I had chosen that date mainly because it was a Saturday, and more people, especially those in work, would be able to come, but I later realised that it was the precise date of the body’s discovery: 6 May 1917, a Sunday.

The date on the succession of crosses erected in the bay has always been 16 May 1917, but a police report, which turned up in 1985, established that the skeletal torso was found on the shore on 6 May and buried on 12 May.

The finder was Duncan Sinclair, a young shepherd at Largiebaan and later head shepherd at Ballygroggan, and his witness statement was included with the report. This conclusively resolved the contentious issue of who had found the remains – see my Kintyre: The Hidden Past, pp. 144-45, published in 1984, the year before the police report emerged. According to Duncan, in a statement dictated to his daughter Mary, in September 1981, the burial party consisted of Machrihanish lobster-fisherman Robert Rae, whose boat took the party round to the Inneans Bay, his daughter Nelly Rae, Duncan’s sister Annie, and John MacDonald, the village police constable who had dealt with the report.

The various dates, however, are of little relevance, because the date of death, which is normally what appears on any grave memorial, will never be known. On to the previous cross, which by 2016 had fallen to bits, two small aluminium plates had been nailed, one with ‘God Knows’ engraved on it and the other with ‘16 May 1917’ on it, and these were salvaged and transferred to the new cross, thus preserving a degree of continuity.
Both that cross and its predecessor were made by Neil Brown, a Campbeltown joiner whose father, James, belonged to Drumlemble. Neil, for health reasons, was unable to attend the ceremony, but I telephoned him earlier that week to remind him of it. I asked him who had made the plates; he was unsure. After the ceremony, I was chatting to Angus Nimmo, who had come with his wife Valerie, who filmed the event, and he told me, when I described Neil, that he was actually his cousin – Angus’s mother, Bella, was a Drumlemble Brown.

The first cross Neil made was carried to the bay on 29 July 1981, by himself, son Stephen, brother-in-law George McKendrick and Teddy Lafferty (another who should have been at the event, but was unfit to go). Neil couldn’t remember when he replaced that one, but it would probably have been in the last years of the century. By my calculation, the present cross is the seventh, but there may be have another of which I am unaware. The evidence was laid out in Kintyre: The Hidden Past (pp. 145-46) and, again, in A Third Summer in Kintyre (pp. 168-74). Whatever the true number, it is clear that the average life-span of a wooden memorial on that exposed coast can’t be much more than 12 years.
The new cross is the biggest and heaviest ever erected there. It was made from durable pitch-pine salvaged from a renovation job in Campbeltown and donated by Mr Barry Colville of the local building firm, McKinven & Colville. The cross was crafted by Graham Sopp, a joiner with the firm and grandson of Mrs Elizabeth McTaggart, who took a keen interest in the memorial project from the outset and secured Graham’s involvement. Also crucially involved was Gary Anderson, a builder with McKinven & Colville and himself a keen hiker with an interest in local history. All previous crosses have been free-standing, but this one is lodged a metre into the ground and its base is protected by a bolted metal sheath and enclosed in a concrete basin. It has been further stabilised by a small cemented cairn. The cross has four coats of varnish on it, and Graham is confident of its potential for longevity.

grahamSopp_ AnnaMicclas

The maker of the new cross, Graham Sopp, attaching the plates from the previous cross prior to the ceremony on 6 May 2017. Photograph by Anna Miccolis ©

The final work was done on 23 April, and it was work! Cement and sand, required for the first time in the history of the Sailor’s Grave, was carried out from Ballygroggan on a quad bike, by arrangement with Duncan McKinnon, head shepherd there, but the load could be taken only as far as the head of the Glen. From there, Graham, Gary, and Gary’s cousin, Steven Coffield, had to drag the bags into the bay – this after lugging the heavy cross and tools overland. When George McSporran and I arrived in the bay, early in the afternoon, the boys were almost exhausted before the work of erecting the cross had begun. Elizabeth McTaggart and her friend, Catherine Dobbie, had also gone out and were cooking over a fire on the beach in the sunshine.

IMG_0545

The work party at the Sailor’s Grave, before erection of new cross, 23 April 2017. L-R: Elizabeth McTaggart, Steven Coffield, Gary Anderson, Angus Martin, Graham Sopp, and George McSporran. Photograph by Cathy Dobbie ©

There was an additional monument, which I had carried out in my rucksack. This was a polished granite plaque in which Bill Armour, a monumental sculptor who lives in Campbeltown, had cut: ‘SAILOR’S GRAVE: 1917.’ The plaque was to have been incorporated in the cairn, but was too big for it. After discussion, George’s suggestion, that the plaque become a separate feature, was adopted, and Gary set it in a neat cement mount in front of the cross.

GMS_5278

The new cross on the Sailor’s Grave, propped in place to allow the cement to set, 23 April 2017. Photograph by George McSporran ©

The day of the ceremony was sunny and breezy, perfect for the walk out. The assembly point for most folk was the Kintyre Way car-park at Ballygroggan and we set out at 11 a.m. in a group which soon broke into smaller parties, proceeding at their own pace.
I gave the number at the ceremony as 20, but there should have been 22. Anne Leith was to have sung two songs at the graveside, her brother Alastair’s ‘The Inneans’ and Willie Mitchell’s ‘Road to Drumleman’, but near Innean Mòr sheep-fank she was so stricken with vertigo that she could go no further. She was willing to make her way back to Ballygroggan alone, but her friend, Iain McKerral, insisted on accompanying her, so, after a look at the new memorials, he left the bay before the ceremony began. Ann’s contribution would have enhanced the event and intensified its emotional impact, and she was missed.

First to arrive in the bay were Angus and Valerie Nimmo, who joined Will Slaven from Glasgow at his camp-site. Will had gone out with his tent and gear on Thursday afternoon and stayed until Sunday. He had guessed, from the date on the cross, that a memorial event might be pending, and had ’phoned and spoken to Judy, who provided the date and time. I had met Will and his brother Mick camping in the Inneans in 2006 and, camping again, with a son, almost ten years to the day of the event, on 7 May 2007. He is a devotee of the bay, its solitude and peacefulness, and recounted that, during his stay this year, as the sun sank away in the west the new cross assumed an eerie luminosity.

Last to arrive in the bay were Mike Peacock, Kenny Graham – who had already been to Largiebaan – and Alex Docherty, from Stewarton, who had left his car at Lochorodale and walked out via Killypole. I had hoped that Agnes Stewart might conduct the ceremony, but, at 80 years old, she understandably didn’t feel physically capable of getting there and back, so I did it myself.

After I had spoken on the history of the Sailor’s Grave and its past custodians, the cross was unveiled by Helen Bapty, a daughter of Stewart Hamilton, who, with his brother Malcolm, had been one of those custodians in the 1960s. Helen, who was accompanied by her husband Neil, sister Liz, and sister Margaret and her husband, Finlay Wylie, then delivered a brief personal statement, which was followed by a few impromptu words from Angus Nimmo, who had first heard of the Sailor’s Grave as a boy growing up in Drumlemble. I was grateful for the attendance of these members of mining families with a childhood connection to the place. There were three others present, Morag McLean, her brother Malcolm McMillan – their father was Kenny McMillan – and Malcolm’s son, also Malcolm.

IMG_0175

The ceremony at the Sailor’s Grave on 6 May 2017. Photograph by Anna Miccolis.

After the ceremony, I opened a bottle of Glen Scotia malt whisky, donated by Iain McAlister, distillery manager, for anyone who wished to have a celebratory nip. As it was cask-strength, some preferred a dash of water with it, and what better water than that from the spring at the foot of Cnoc Maighe, which Neil Brown piped many years ago?
So much money for the project came in that I didn’t have to fund-raise; and none of the creative participants wanted paid (but all were modestly rewarded with meal vouchers for the Ardshiel Hotel). The first, and main, donor was Alistair Thompson, who lives in Canada, but was back in Campbeltown for his mother’s 90th birthday party that night. He was one of the many who wanted to be at the ceremony, but couldn’t go. Happily, however, he was represented by his son Kenneth and partner, Anna Miccolis, two of whose photographs illustrate this article.

The other donors were: John MacDonald, Kenny Graham, Anonymous, George McSporran, John McSporran, Catherine Barbour, Jon Hooper, and Ann and Graham Baird. The total raised was £470, and, after expenses, £135 remains. I suggested at the gathering that this money could go towards a get-together later in the year in a local hotel, where an edited film of the ceremony and historic photographs could be projected in a continuous loop, both for those who were there and those who couldn’t be there.

An expanded version of this article will appear in the Kintyre Magazine No. 81 in Autumn, 2017.

Angus Martin

Memories of Archie McGeachy, shotfirer, and of Drumlemble by Betty McSporran

ArchieMcGeachy_clean

Archie McGeachy, shot-firer at Argyll Colliery. Photo courtesy of Betty McSporran ©

My Dad, Archie McGeachy, was born on 11th September 1924. As we grew up, Dad often spoke in detail about his times at the coal mine in Machrihanish and of the camaraderie between the men. He worked as a shot firer.

There were mine shafts which extended to the Aros Farm, north of Machrihanish, and out under the sea. I recall there was actually flooding in the mine before the fires [and total extraction] eventually closed it down.

One of the things I remember is my Mum and aunts talking about the time a Clydesdale horse was turned out into the field, above Coalhill, between there and Trochoillean Farm. In the morning it had fallen down a hole which appeared in the field. The horse was called Jacopa (I hope that is the correct spelling of its name). It was a sore loss to the farmer concerned.

In the heavy snowfall of February 1963 my Dad and I got stranded at Westport cottage and spent from the Tuesday till the Friday with a retired teacher, Miss McDougall, and her brother. There was quite a number of us including two policemen who divided all of us into two groups and the remainder went to Low Balevain Farm to enjoy the hospitality of the Binnie family. Drifts were above the Telegraph poles but Mr Binnie walked through the snow every day bringing baking, milk and potatoes to help feed us. We had the Jacobs Biscuits traveller with us too but his only samples were coconut mallows to help supplement our diet. I have never been able to eat one from that day till this! Hughie Anderson from Machrihanish was stranded as well. He drove the pit lorry and it was loaded with coal. Craig’s coal lorry was stranded likewise. Miss McDougall’s coal bunker was well filled .

Hughie, Dad and I set off on the Friday and walked the shore line to the Backs Water where we parted company. Dad and I stopped off at West Trodigal farm where Mrs Armour fed us with a bowl of homemade soup. We then stopped off at the miners’ canteen at Argyll Colliery where Dad bought some cigarettes – he hadn’t smoked for days. When we reached home we had to call the police station and let them know that we had made it! The  Campbeltown Courier reported the story. I was the only female stranded but they obviously thought I didn’t merit consideration as they made no mention of that fact. I may add that I was the only person who went back in person to thank Miss McDougall. Dad and I were so grateful and felt we were lucky to be alive as we wouldn’t have stood a chance against the snow.

I remember playing in the houses in Drumlemble that ran along from the hall to where the bus shelter now stands. The roofs were off the houses by then and the windows were covered by corrugated iron. The side row houses’ ruins were really only an outline of where the houses had been, as were the ruins next to Coalhill cottage. On the left hand side down the side row there were a few allotments and some had wee sheds standing on them.

drumlemble_clean

Postcard of Drumlemble Main Street showing the now demolished miners’ houses on the RHS. Courtesy of Charlie McMillan.

P1330114

Drumlemble Mission Hall, now a private residence, and where a row of miners’ houses used to stand on the Campbeltown – Machrihanish road. Photo: Jan Nimmo ©

There was a miners’ bus transporting the men from town out to the pit at Machrihanish to suit the shift times. We used to walk from Drumlemble to Campbeltown on a Sunday and catch a lift home with the miners’ bus.

Miners’ gala days and Christmas parties were always so exciting for us as we grew up. The Miners’ Welfare Hall in Bolgam Street in Campbeltown was where the parties were held. The picnics were huge family outings and are well remembered for such happy times.

My Dad developed a lung disorder due to the coal dust and spent a year in the sanatorium in Oban due to that. He was never able to do mine work after that and actually never able to do any manual work. He passed away as a young man aged 43 on 8th January 1968.

In 1982, when part of the playing field collapsed in Drumlemble, the whole of Rhudal cottages were decanted but the four houses in Burnbank were left. We were literally over the fence from this gaping hole. My brother, Leslie, worked with McFadyen Contractors then and he had a Coal Board official on the bucket of his JCB, with arm extended, in the shaft that ran between numbers 19 and 30 Rhudal cottages. I also recall where a mound appeared further along the playing field and the water spouted out of it like a fountain. Many years later the National Coal Board had to backfill underneath the self same Burnbank homes as one of the houses was sinking.

P1330737

Katrina, Cameron, Betty McSporran (née McGeachy), Betty’s sister, Margaret Blaylock and Alice McMurchy. Photo: Jan Nimmo ©

The bard of Kintyre is an ancestor of ours (James McMurchy). Interestingly enough his art has passed down through the generations. I myself have been published on six occasions and have written some lyrics for songs. At present I am working with Charlie McMillan who had written a pipe tune and I have added the words. We are at present in the process of trying to get it recorded to a CD. My brother, Leslie McGeachy, and my sister, Margaret Blaylock, are both prolific in the poetry genre as well.

P1340217

Leslie McGeachy , Betty’s brother, and Debbie. Photo: Jan Nimmo ©

 

 

 

 

 

SKDT’s The Road to Drumleman Community Exhibition at Glen Scotia Distillery

P1330355

Alex McKinven, former Argyll Colliery worker. Photo: Jan Nimmo ©

The Road to Drumleman, an exhibition celebrating Kintyre’s coal Mining Heritage  was held at Glen Scotia Distillery in April 2017. This year is the 50th anniversary of Argyll Colliery, Kintyre’s last coal mine.

The exhibition was the gathering together of information and images, which started in October 2016 with drop-in sessions at Campbeltown Library. The information here on the archive/blog was digested into a slideshow of almost 400 slides which can be seen here as a PDF – it may take a wee while to load so please be patient.

JimMartinCrossStitch

Robert Martin. Cross stitch embroidery portrait by Karen Forbes (née Hunter). Courtesy of Nanette Campbell ©

The project took former miners and coal mining into locals schools and the result of these creative workshops with artist, Jan Nimmo, at Dalintober and Drumlemble primary schools was shown at the exhibition in the form of colourful mining-themed bunting which was reminiscent of Miners’ Gala Days in Kintyre. Campbeltown Grammar School also worked with Jan to recreate a trade union banner for Argyll Colliery which was also prominently displayed at the exhibition.

P1340323

Argyll Colliery Trade Union banner recreated by 3rd year art pupils at Campbeltown Grammar School, with artist, Jan Nimmo. Photo: Jan Nimmo ©

The final component to the exhibition was a series of large framed pencil drawings made by Jan Nimmo. Jan’s father, Neil, was a shot-firer at Argyll Colliery and it was he that inspired her to make the documentary The Road to Drumleman and to continue to explore Kintyre’s coal mining past through this current project with SKDT.

NeilNimmo

Portrait of Neil Nimmo, shot-firer at Argyll Colliery. Drawing by Jan Nimmo ©

Part of the project was to give a framed print of the drawings to either the subjects or their families. You can view photos of the exhibition and some of those who attended here.

P1330463

Willie McMillan, former Argyll Colliery worker with artist, Jan Nimmo. Photo: Paul Barham ©

We would like to thank everyone who has supported to the project to date and to all of you who came along. A special thanks also to our hosts at Glen Scotia Distillery who worked hard to make the Kiln Room an excellent venue.

Here is an article published about the exhibition and project in the Sunday Herald

There is a forthcoming opportunity to view the trade union banner and the slideshow presentation, including the drawings, at Campbeltown Museum, who will set this up alongside a related display of their own artefacts. This will run from mid-May till the end of August.

The project will end with a community celebration/screening at the beginning of September at Machrihanish so look out for further information here on the blog or the Facebook page for details of that.

In the meantime we are still looking for any information, photos or stories you may have for the archive/blog so please feel free to contact us.

P1330876.JPG

Jim Kelly, and Margaret Kelly (née Morans) – both their fathers, Jim Kelly and Cawford Morans, worked at Argyll Colliery. Photo: Jan Nimmo ©

FinalLogo_May17