Argyll Colliery Miners’ portraits by Jan Nimmo

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Portrait by Jan Nimmo of her late father, Neil Nimmo, a former Argyll Colliery worker. ©

Following on from the making of her documentary film, The Road to Drumleman, about Argyll Colliery, Machrihanish, 1947-1967, Campbeltown born artist, Jan Nimmo decided to continue working on gathering images and stories related to Kintyre’s mining past. For the TRTD community exhibition that was held at Glen Scotia Distillery, Campbeltown, she created 30 portraits. These large scale pencil drawings portray some of the men who worked at Argyll Colliery, including her father, Neil Nimmo. Two women were also portrayed: Agnes Rennie, who worked as head of catering at NCB (Scotland) in Alloa. Agnes was a regular visitor to Argyll Colliery. Agnes Stewart is also portrayed. Agnes sang her father, Willie Mitchell’s song, The Road to Drumleman, for the documentary.

As part of the exhibition, framed prints of the portraits, were given to the men and women or to their families, as some of the men, sadly, have died since the portraits were made.

More portraits and photos can be viewed here.

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Francis McWhirter with a portrait of his late brother, Dennis, who once worked at Argyll Colliery Machrihanish. Photo: Jan Nimmo ©

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Crawford Morans with his portrait at The Road to Drumleman Community exhibition at Glen Scotia Distillery, Cambeltown. Crawford worked at Argyll Colliery. Photo: Jan Nimmo ©

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Artist, Jan Nimmo, with former Argyll Colliery face-worker, Willie McIntyre, at The Road to Drumleman exhibition. Photo: Jan Nimmo ©

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Sailor’s Grave Centenary (1917-2017) – Angus Martin

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Inneans Bay, South West Kintyre, 2009. Photograph by Paul Barham ©

Exactly 20 persons, including myself and my wife Judy, were in the Inneans Bay on Saturday 6 May for a centenary memorial ceremony at the Sailor’s Grave. I had chosen that date mainly because it was a Saturday, and more people, especially those in work, would be able to come, but I later realised that it was the precise date of the body’s discovery: 6 May 1917, a Sunday.

The date on the succession of crosses erected in the bay has always been 16 May 1917, but a police report, which turned up in 1985, established that the skeletal torso was found on the shore on 6 May and buried on 12 May.

The finder was Duncan Sinclair, a young shepherd at Largiebaan and later head shepherd at Ballygroggan, and his witness statement was included with the report. This conclusively resolved the contentious issue of who had found the remains – see my Kintyre: The Hidden Past, pp. 144-45, published in 1984, the year before the police report emerged. According to Duncan, in a statement dictated to his daughter Mary, in September 1981, the burial party consisted of Machrihanish lobster-fisherman Robert Rae, whose boat took the party round to the Inneans Bay, his daughter Nelly Rae, Duncan’s sister Annie, and John MacDonald, the village police constable who had dealt with the report.

The various dates, however, are of little relevance, because the date of death, which is normally what appears on any grave memorial, will never be known. On to the previous cross, which by 2016 had fallen to bits, two small aluminium plates had been nailed, one with ‘God Knows’ engraved on it and the other with ‘16 May 1917’ on it, and these were salvaged and transferred to the new cross, thus preserving a degree of continuity.
Both that cross and its predecessor were made by Neil Brown, a Campbeltown joiner whose father, James, belonged to Drumlemble. Neil, for health reasons, was unable to attend the ceremony, but I telephoned him earlier that week to remind him of it. I asked him who had made the plates; he was unsure. After the ceremony, I was chatting to Angus Nimmo, who had come with his wife Valerie, who filmed the event, and he told me, when I described Neil, that he was actually his cousin – Angus’s mother, Bella, was a Drumlemble Brown.

The first cross Neil made was carried to the bay on 29 July 1981, by himself, son Stephen, brother-in-law George McKendrick and Teddy Lafferty (another who should have been at the event, but was unfit to go). Neil couldn’t remember when he replaced that one, but it would probably have been in the last years of the century. By my calculation, the present cross is the seventh, but there may be have another of which I am unaware. The evidence was laid out in Kintyre: The Hidden Past (pp. 145-46) and, again, in A Third Summer in Kintyre (pp. 168-74). Whatever the true number, it is clear that the average life-span of a wooden memorial on that exposed coast can’t be much more than 12 years.
The new cross is the biggest and heaviest ever erected there. It was made from durable pitch-pine salvaged from a renovation job in Campbeltown and donated by Mr Barry Colville of the local building firm, McKinven & Colville. The cross was crafted by Graham Sopp, a joiner with the firm and grandson of Mrs Elizabeth McTaggart, who took a keen interest in the memorial project from the outset and secured Graham’s involvement. Also crucially involved was Gary Anderson, a builder with McKinven & Colville and himself a keen hiker with an interest in local history. All previous crosses have been free-standing, but this one is lodged a metre into the ground and its base is protected by a bolted metal sheath and enclosed in a concrete basin. It has been further stabilised by a small cemented cairn. The cross has four coats of varnish on it, and Graham is confident of its potential for longevity.

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The maker of the new cross, Graham Sopp, attaching the plates from the previous cross prior to the ceremony on 6 May 2017. Photograph by Anna Miccolis ©

The final work was done on 23 April, and it was work! Cement and sand, required for the first time in the history of the Sailor’s Grave, was carried out from Ballygroggan on a quad bike, by arrangement with Duncan McKinnon, head shepherd there, but the load could be taken only as far as the head of the Glen. From there, Graham, Gary, and Gary’s cousin, Steven Coffield, had to drag the bags into the bay – this after lugging the heavy cross and tools overland. When George McSporran and I arrived in the bay, early in the afternoon, the boys were almost exhausted before the work of erecting the cross had begun. Elizabeth McTaggart and her friend, Catherine Dobbie, had also gone out and were cooking over a fire on the beach in the sunshine.

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The work party at the Sailor’s Grave, before erection of new cross, 23 April 2017. L-R: Elizabeth McTaggart, Steven Coffield, Gary Anderson, Angus Martin, Graham Sopp, and George McSporran. Photograph by Cathy Dobbie ©

There was an additional monument, which I had carried out in my rucksack. This was a polished granite plaque in which Bill Armour, a monumental sculptor who lives in Campbeltown, had cut: ‘SAILOR’S GRAVE: 1917.’ The plaque was to have been incorporated in the cairn, but was too big for it. After discussion, George’s suggestion, that the plaque become a separate feature, was adopted, and Gary set it in a neat cement mount in front of the cross.

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The new cross on the Sailor’s Grave, propped in place to allow the cement to set, 23 April 2017. Photograph by George McSporran ©

The day of the ceremony was sunny and breezy, perfect for the walk out. The assembly point for most folk was the Kintyre Way car-park at Ballygroggan and we set out at 11 a.m. in a group which soon broke into smaller parties, proceeding at their own pace.
I gave the number at the ceremony as 20, but there should have been 22. Anne Leith was to have sung two songs at the graveside, her brother Alastair’s ‘The Inneans’ and Willie Mitchell’s ‘Road to Drumleman’, but near Innean Mòr sheep-fank she was so stricken with vertigo that she could go no further. She was willing to make her way back to Ballygroggan alone, but her friend, Iain McKerral, insisted on accompanying her, so, after a look at the new memorials, he left the bay before the ceremony began. Ann’s contribution would have enhanced the event and intensified its emotional impact, and she was missed.

First to arrive in the bay were Angus and Valerie Nimmo, who joined Will Slaven from Glasgow at his camp-site. Will had gone out with his tent and gear on Thursday afternoon and stayed until Sunday. He had guessed, from the date on the cross, that a memorial event might be pending, and had ’phoned and spoken to Judy, who provided the date and time. I had met Will and his brother Mick camping in the Inneans in 2006 and, camping again, with a son, almost ten years to the day of the event, on 7 May 2007. He is a devotee of the bay, its solitude and peacefulness, and recounted that, during his stay this year, as the sun sank away in the west the new cross assumed an eerie luminosity.

Last to arrive in the bay were Mike Peacock, Kenny Graham – who had already been to Largiebaan – and Alex Docherty, from Stewarton, who had left his car at Lochorodale and walked out via Killypole. I had hoped that Agnes Stewart might conduct the ceremony, but, at 80 years old, she understandably didn’t feel physically capable of getting there and back, so I did it myself.

After I had spoken on the history of the Sailor’s Grave and its past custodians, the cross was unveiled by Helen Bapty, a daughter of Stewart Hamilton, who, with his brother Malcolm, had been one of those custodians in the 1960s. Helen, who was accompanied by her husband Neil, sister Liz, and sister Margaret and her husband, Finlay Wylie, then delivered a brief personal statement, which was followed by a few impromptu words from Angus Nimmo, who had first heard of the Sailor’s Grave as a boy growing up in Drumlemble. I was grateful for the attendance of these members of mining families with a childhood connection to the place. There were three others present, Morag McLean, her brother Malcolm McMillan – their father was Kenny McMillan – and Malcolm’s son, also Malcolm.

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The ceremony at the Sailor’s Grave on 6 May 2017. Photograph by Anna Miccolis.

After the ceremony, I opened a bottle of Glen Scotia malt whisky, donated by Iain McAlister, distillery manager, for anyone who wished to have a celebratory nip. As it was cask-strength, some preferred a dash of water with it, and what better water than that from the spring at the foot of Cnoc Maighe, which Neil Brown piped many years ago?
So much money for the project came in that I didn’t have to fund-raise; and none of the creative participants wanted paid (but all were modestly rewarded with meal vouchers for the Ardshiel Hotel). The first, and main, donor was Alistair Thompson, who lives in Canada, but was back in Campbeltown for his mother’s 90th birthday party that night. He was one of the many who wanted to be at the ceremony, but couldn’t go. Happily, however, he was represented by his son Kenneth and partner, Anna Miccolis, two of whose photographs illustrate this article.

The other donors were: John MacDonald, Kenny Graham, Anonymous, George McSporran, John McSporran, Catherine Barbour, Jon Hooper, and Ann and Graham Baird. The total raised was £470, and, after expenses, £135 remains. I suggested at the gathering that this money could go towards a get-together later in the year in a local hotel, where an edited film of the ceremony and historic photographs could be projected in a continuous loop, both for those who were there and those who couldn’t be there.

An expanded version of this article will appear in the Kintyre Magazine No. 81 in Autumn, 2017.

Angus Martin

SKDT’s The Road to Drumleman Community Exhibition at Glen Scotia Distillery

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Alex McKinven, former Argyll Colliery worker. Photo: Jan Nimmo ©

The Road to Drumleman, an exhibition celebrating Kintyre’s coal Mining Heritage  was held at Glen Scotia Distillery in April 2017. This year is the 50th anniversary of Argyll Colliery, Kintyre’s last coal mine.

The exhibition was the gathering together of information and images, which started in October 2016 with drop-in sessions at Campbeltown Library. The information here on the archive/blog was digested into a slideshow of almost 400 slides which can be seen here as a PDF – it may take a wee while to load so please be patient.

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Robert Martin. Cross stitch embroidery portrait by Karen Forbes (née Hunter). Courtesy of Nanette Campbell ©

The project took former miners and coal mining into locals schools and the result of these creative workshops with artist, Jan Nimmo, at Dalintober and Drumlemble primary schools was shown at the exhibition in the form of colourful mining-themed bunting which was reminiscent of Miners’ Gala Days in Kintyre. Campbeltown Grammar School also worked with Jan to recreate a trade union banner for Argyll Colliery which was also prominently displayed at the exhibition.

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Argyll Colliery Trade Union banner recreated by 3rd year art pupils at Campbeltown Grammar School, with artist, Jan Nimmo. Photo: Jan Nimmo ©

The final component to the exhibition was a series of large framed pencil drawings made by Jan Nimmo. Jan’s father, Neil, was a shot-firer at Argyll Colliery and it was he that inspired her to make the documentary The Road to Drumleman and to continue to explore Kintyre’s coal mining past through this current project with SKDT.

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Portrait of Neil Nimmo, shot-firer at Argyll Colliery. Drawing by Jan Nimmo ©

Part of the project was to give a framed print of the drawings to either the subjects or their families. You can view photos of the exhibition and some of those who attended here.

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Willie McMillan, former Argyll Colliery worker with artist, Jan Nimmo. Photo: Paul Barham ©

We would like to thank everyone who has supported to the project to date and to all of you who came along. A special thanks also to our hosts at Glen Scotia Distillery who worked hard to make the Kiln Room an excellent venue.

Here is an article published about the exhibition and project in the Sunday Herald

There is a forthcoming opportunity to view the trade union banner and the slideshow presentation, including the drawings, at Campbeltown Museum, who will set this up alongside a related display of their own artefacts. This will run from mid-May till the end of August.

The project will end with a community celebration/screening at the beginning of September at Machrihanish so look out for further information here on the blog or the Facebook page for details of that.

In the meantime we are still looking for any information, photos or stories you may have for the archive/blog so please feel free to contact us.

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Jim Kelly, and Margaret Kelly (née Morans) – both their fathers, Jim Kelly and Cawford Morans, worked at Argyll Colliery. Photo: Jan Nimmo ©

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Glen Scotia and SKDT’s The Road to Drumleman Exhibition

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Glen Scotia Distillery: The venue for SKDT‘s The Road to Drumleman Exhibition. Jan Nimmo ©

As many of you already know we will be holding SKDT’s The Road to Drumleman exhibition (dates here) at Glen Scotia Distillery, Campbeltown. The project is very grateful to Iain McAlister and his team at the distillery for all their support and hard work –  it’s been great to see what they have done to transform the Kiln Room in preparation for the exhibition. We are looking forward to setting up!

And now a word from Iain…

It is a great pleasure and indeed privilege to host the forthcoming  SKDT’s The Road to Drumleman Community Exhibition at Glen Scotia Distillery, which is due to mark the 50 years since the closure of the Argyll Colliery at Machrihanish. The lead artist of this project, Jan Nimmo, has put in considerable time and effort to make this exhibition a success and this is in part due to her desire to recognise the history of the mine and all the miners; past and present, who worked at the colliery and the arduous conditions that they had to endure. Historically, Glen Scotia Distillery itself has utilised this local coal mined at the colliery and this power source undoubtedly created many a fine dram around the wee toon!

Best wishes to SKDT and Jan, and to the success of the exhibition.  

Iain J McAlister

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Iain McAlister, distillery manager at Glen Scotia Distillery, Campbeltown. Photo: Jna NImmo ©

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The Kiln Room at Glen Scotia Distillery last year… Photo: Jan Nimmo ©

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The Kiln Room at Glen Scotia Distillery last year… Photo: Jan Nimmo ©

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The Kiln Room at Glen Scotia in February 2017. Photo: Jan Nimmo ©

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Paul Barham – The architect measuring up for SKDT’s TRTD exhibition plan. Photo; Jan Nimmo ©

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Iain McAlister, Glen Scotia, Calum McKinven, builder and Paul Barham. Photo: Jan Nimmo

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The new disabled toilet being built in the Kiln Room by Calum McKinven. Photo: Jan Nimmo ©

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The exhibition layout – plans by Paul Barham ©

 

TRTD – fourth and final last drop-in session

A massive thank you to everyone who came along to SKDT’s Road to Drumleman fourth and final session at Campbeltown Library, on 22nd February, 2017! Thanks, as always, to the staff at Campbeltown Library.

Originally we had only planned three such sessions but because we knew there were more people to meet and more stories to unearth we decided to hold an additional public drop-in day. The session was well attended and we had lots of photos to scan, some artefacts and memorabilia to photograph and stories to share.

Although there will be no more public sessions you are still welcome to submit stories, images of memorabilia and photos via email and these will be included in the blog as that will be being added to until the end of August. If however, you wish to have an image included at the digital slideshow at the exhibition in April the deadline is the 7th of April.

How to get involved

Contact

The next event that we will be holding will the “The Road to Drumleman Community Exhibition” in April, at Glen Scotia Distillery, Campbeltown, which will commemorate the 50th anniversary of the closure of Argyll Colliery. Watch this space!